Dec 17, 2017
It's been a big year at Hearts+Sparks with some major milestones. Here's a breakdown of 2017!
Client-Based "One Woman Band" Work
This is work where that I worked with client to develop, then shot and edited to deliver a final video. This year, I made a total of 19 videos for 10 different clients including Women's Foundation of Oregon, Kaiser Permanente, APANO, Portland'5, Clackamas Women's Services, the Regional Water Providers Consortium, Blanchet House and Northwest Forest Workers Center. I also made two videos with donated gear and labor--one highlighting the work of North Northeast Community Health Center in collaboration with Rachel Bracker and another for Ana del Rocio's campaign. All of these organizations and individuals are working to create change for our world and I feel privileged to collaborate with them as well as to highlight and feel a connection to their good work. It's an amazing way to spend my days. Thanks to everyone who hired me to help tell their stories.
I get a lot of people that ask me how I earn a living as a filmmaker and this is it! It requires the additional skill of running a business--something I admittedly am not as excited about as telling stories, but that in the end is worth it to be able to set my own schedule and choose who I work for.
ABOVE: Filming Isis Harris for the Women's Foundation event video using a Ronin-M, one of the new pieces of gear I started using this year.
ABOVE: Candace Kita interviews Sabina Haque at JAMS for the APANO Placemaking video.
Behind the Scenes Shoots
Something new for me this past year was to shoot behind the scenes footage. I documented a Spalding commercial (following Damian Lillard around!) and was on the set of two feature films. It was valuable to be on larger sets and learn about protocol and roles.
AND I got to work with Claudia Meza on a She Shreds Magazine video shoot! (They got my name wrong--my last name is "Jones and Redstone" together, fyi!)m
DP and Director Work
This is all work where I served as Director and/or DP.
Another milestone as part of my work was being hired by Metro to do a narrative project for the first time. Until now, most of my client-based projects have been more documentary in nature including the many videos I have made for Metro. But this year, I was hired to develop the concept for a video series that is completely narrative (fictional storytelling) to create for/with them in 2018. This will also be the largest project I've undertaken for Metro in terms of scope and budget. Can't wait!
This year, I moved more into narrative directing by launching a DP/Director focused website and working on multiple personal projects (and getting paid to make them). Directed by Women also featured me in one of their articles.
One of the best things about this year was working with crews on larger projects and finding collaborators. I met and got to work with so many new people. Below are some of the projects I was part of.
Graphic Means, a feature film I shot for director Briar Levit in 2016 about the history of graphic design, has now screened all over the country and the world including 17 countries. I've been blown away by the reception for the film. Congrats, Briar!
ABOVE: On stage with the team that made Graphic Means at a sold out screening at the Hollywood Theater. From left to right there's Emily Skaer, Emily Von W. Gilbert, me and Briar Levit.
In June, I served as Director of Photography on Shilpa Sunthankar's latest short film entitled Working Lunch. It was a joy to work with my friends including producer Tara Johnson-Medinger and many more. The film was just awarded a RACC grant and is due out in 2018.
ABOVE: Filming Working Lunch. Director Shilpa Sunthankar is the first one on the left!
Also in May of this year, I got to do a job shadow with director Debra Granik as a pilot for the 5 to 50 program which pairs filmmakers with established directors. Debra Granik's last film Winter's Bone starred Jennifer Lawrence and was nominated for four Academy Awards. Debra was in town shooting her latest feature, Leave No Trace. This was an incredible, once in a lifetime opportunity to learn and observe and soak up knowledge from a skilled storyteller. I'm grateful to Juliana Lakasik for spearheading 5to50, to Oregon Film for helping to make it happen and to Debra for sharing her process. Leave No Trace premieres at Sundance next year.
Sista in the Brotherhood, the 2016 short I directed and co-wrote which was produced and inspired by the work of Dr. Roberta Hunte, continued to win awards this year and moved into being used as an educational tool by industry folks. It's now been purchased by over Screening licenses have been purchased around the country to use the film to help bring awareness to the discrimination and harassment tradeswomen face. I also served on multiple panels to talk about culture change in the construction trades as well as screening a clip for 500 people at the DJC Women of Vision luncheon.
ABOVE: A packed screening of Sista in the Brotherhood at PSU in Spring.
This year, I made three narrative projects including the short film Nemesis which I shot and directed in collaboration with Brenan Dwyer who wrote, starred and produced the project for her Potty Talk Productions. The film received funding from the Open Signal and Lower Boom Post TRUTH project.
ABOVE: Cast and crew of Nemesis.
I also began a new partnership with Luann Algoso (the creator, star, producer and co-writer) to make an upcoming web series called Nonprofit. I co-wrote, shot and directed the pilot and we plan to release it in February of next year! The project was funded through a crowdfunding campaign. Follow us for a lot more!
ABOVE: An unofficial still from Nonprofit starring its creator, Luann Algoso.
And at the end of this year, we completed We Have Our Ways, a short film about reproductive justice that I directed and shot, Kjerstin Johnson wrote and Chrisitan Henry produced. The amazing Sidony O'neal stars. It was funded by a grant from the Regional Arts and Culture Council and begins the festival circuit next year. Stay tuned for more info. Check out the article in Willamette Week about the film.
ABOVE: The poster for We Have Our Ways.
I have a feature film script, a tradeswoman thriller, that needs a lot of work, but I might be slowly coming to the realization that my first feature will need to be something I can make for a smaller budget. I have other ideas, but I also have some projects made this year that could become much larger projects depending on reception and funding. Let's put it this way: I'm not worried about having stories to tell!
All in all, that's about 30 projects I worked on this year! Thanks for reading.
It's been a year filled with fun, personal growth, new friends and renewed sense of urgency around storytelling. Most if not all of the project I've led or been a part of offer perspectives that right now especially, are urgently needed to bring balance to the mainstream media. This is the common thread that runs through most of my work and I'm committed to keeping this as my personal mission as a media maker. I look forward to what we'll make together in 2018.
Dawn Jones Redstone
Owner Hearts+Sparks Productions
Sep 26, 2017
Summer comes to a close and I've wrapped up videos with Clackamas Women's Services, Portland'5 Education Project and the Northwest Forest Workers Center. This has been in addition to narrative projects including production of We Have Our Ways, the short film funded by a grant from the Regional Arts and Culture Council, Nemesis, an awardee of the POST-TRUTH project with Lower Boom and Open Signal as well as Nonprofit, a crowd-funded web series pilot. Please check out all of these projects and more which are in post production and screening later this year and next!
The all female cast and crew of We Have Our Ways.
Jul 2, 2017
CASTING white man, 40+ for the short comedy film “Nemesis” directed by award-winning filmmaker Dawn Jones Redstone, written and produced by Brenan Dwyer of Potty Talk Productions.
Character: “Geordi” is a cocky all-American man who considers himself a Scrabble genius.
About the film: “Nemesis” is a comedy film that explores white male fragility through a single Scrabble match. The film has received funding from and will be part of programming for the Post Truth Project run by Open Signal and Lower Boom in November 2017. Potential for festival distribution as well.
Shoot dates: July 29-30. Possibility of 1 or 2 days of filming.
Pay: $100 p/day plus meals on set.
Casting non-union talent only
1 rehearsal/wardrobe fitting prior to filming
To audition: video submission
Record a video and email to firstname.lastname@example.org . Include headshot and resume in email and indicate your availability for July 15 for callbacks and July 28-29 for filming.
Go to the following website for the text to prepare and record: www.pottytalkpdx.com/casting
Submit by July 12
Casual, low-quality, or cell-phone videos acceptable.
IMPORTANT: this is copyrighted material. Please do not post your audition video as “public” on YouTube. If you post to Youtube, please post as Unlisted and provide link.
Jun 24, 2017
WE HAVE OUR WAYS is now casting for two roles. WE HAVE OUR WAYS is directed by award-winning director Dawn Jones Redstone of Sista in the Brotherhood written by Kjerstin Johnson, former editor in chief of Bitch Magazine, and produced by Christian Henry, a television writer and producer for a network affiliate of NBC. This film is funded by the Regional Arts and Culture Council.
SYNOPSIS: In a dystopic near future, two women of color struggle to navigate healthcare, state violence, and reproductive justice.
Early 20’s, African American female
Young student who lives with her older, wiser cousin Regina. Abigail finds herself in a bind, and must rely on her cousin to get the help she needs. Abigail feels helpless in the face of something huge and dangerous, but perseveres without knowing what the future holds.
20’s, female, Latina
Young healthcare worker at an underground clinic. Her job is stressful enough as it is, but when her coworker gets arrested and clients still need her, she must make a decision about what she’s willing to do for others. Actor appears in single critical scene, must be able to cry.
Production title: We Have Our Ways
Union / Non-Union: Non-Union
Production Type: Independent
Project length: Short Film
Posted on: June 24th
Director: Dawn Jones Redstone
Producer: Christian Henry
Writer: Kjerstin Johnson
Audition Location: NW Film Center
Shooting Location: Portland
Submit headshots, resume & reel (if available) to: email@example.com
July 8th 9:30am - 2pm
(Time slots will be given out)
Aug. 19th & Aug. 26th
Abigail will be needed for both shoot dates.
Mari will be needed for one shoot date, at night.
Apr 22, 2017